In the same vein as Self-Derogatory
Advertising, which was first mentioned on this blog and for which Panda Books
Australia asserts itself the originator, the title ‘Sortabiography’ is
announced with the same claim. It refers to a book that has the actual author
as the main character, written in the third person with circumstances
reflecting his or her real life along the lines of a ‘Mocumentary’. In Thomas’
case, the Sortabiography refers to his turgid attempts to become a published
author, the trauma it induces in others and the threat his ghastly writing has
on the publishing industry as a whole. His book ‘Writing Wrongly’ is a
Sortabiography, and is based on his blovel of the same name, and continues in
the prequel ‘Wrongly Writing’.
Both the terms and descriptions of ‘Self
Derogatory Advertising’ and ‘Sortabiography’ have been digitally Timestamped
for this purpose.
Sortabiography, as a genre, at least in
Thomas’ case, has the following characteristics:
- Satirical,
black humour
- Full-length
novel
- It is
intentionally written with the author as the protagonist, with highly
exaggerated traits, particularly weaknesses, leaving him bordering on
dysfunctional
- Is
written in the third person limited point of view
- The
supporting cast is unlikely to be exaggerated to minimise dilution of the
main character’s eccentricities, which would otherwise detract from the
author’s responsibility for themselves as the protagonist, except in
situations where supportive cast behaviour would otherwise enhances his
vulnerabilities
- The
story world is devoid of exaggeration for the same reason
- It
permits the author to explore themselves, particularly their less
attractive traits, by experimenting with an hyperbole of persona with
others
- The
plot revolves around the author’s real life circumstances, e.g., divorce,
love, ambitions etc
- The
difference between Sortabiography and a story with a similar protagonist
not identified as the author is the intentional exaggeration of
vulnerability, alongside an admission of his failings, being pivotal part
of the story’s architecture, with which the reader might find a special
sympathy
- Any heroism
arises as a consequence of battling the world through inadequacies
The difference between Sortabiography and
Thomas’ ideas for New Fable, besides the cast being human, is that the society,
politics, behaviours (of others) and conventions in Sortabiography remain
realistic. The only absurdism in the story is in the protagonist, whereas in
the Dooven books, everything is absurd. In Sortabiography, eccentricity is
contrasted with normally. In New Fable, eccentricity is contrasted with itself
to become a new normality.
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